Guides / Filmmaking

Script to storyboard and shot list, with the NOLGIA Agent

A storyboard is the cheapest place to be wrong. NOLGIA does not have a storyboard product; it has an agent that can read a script, write the shot list and make a frame for each row with an image model. This guide shows one script through that path, with the transcript and the six frames exactly as they came back.

  • 11 min read
  • Updated
The askShot listFrames

What you make, in order. Tap one to jump to its step.

This guide follows one 64 word script, The Locksmith, from text to a six row shot list and six frames. Everything below is the real output of one agent session on the company's own account: the request we sent, the table the agent wrote back, and the frames it made with Nano Banana 2.1. The people in it are fictional.

Say plainly what is a tool and what is a workflow. The video composer, the image composer and Studio are tools. A storyboard on NOLGIA is a workflow run by the agent, and this guide is the workflow.

What goes wrong

MistakeWhy it failsFix
Asking for "a storyboard" with no countThe agent picks a number, usually too many, and the frames stop telling one storySay how many shots: six for a one-scene script, eight for an action beat
Describing a character onceEach frame is its own image request; a character described in the first prompt only drifts by the thirdAsk the agent to repeat the same written description of each character in every frame prompt
Letting the model add signs and labelsImage models write words on machines, doors and shop fronts, sometimes real brand namesSay "no readable text or signs anywhere", and check every frame at full size
Taking the frames without the tableA frame shows what a shot looks like; the shot list says how to make itAsk for the table first, then the frames, and keep both
Reading a frame as the filmA storyboard frame is a plan, not a promise of what the video model will renderTreat the frame as the reference you will animate from, and expect to regenerate

Before you start

  • A script or a scene, 50 to 150 words, with the characters named.
  • One line describing each character the way a costume department would: age, hair, glasses, the one garment that identifies them.
  • A hosted NOLGIA Agent, which comes with Studio plans. Open Agent to see yours.
  • A number of shots in mind, and the frame shape. We asked for six shots at 16:9.
The script (64 words)
INT. LOCKSMITH KIOSK, NIGHT. Rain. A tiny kiosk lit by one bare tungsten bulb. MARA, twenties, cuts keys with steady hands. A YOUNG MAN in a soaked suit slides a photograph of a key across the counter. No key, just the photo. She studies it. She cuts one from memory. He tries it in the kiosk's own door. It opens. She was expecting him.

Send the script and the request to the agent

Open Agent and start a new chat. The message does five jobs: it asks for the shot list as a table with named columns, it fixes the number of frames and the image model, it gives the character descriptions the agent must repeat in every frame prompt, it forbids text and signs, and its last line sets a credit budget for the turn (we left our figure out below; name your own). Then the script goes at the end.

The message we sent, before the script (without the budget line)
Turn this short script into a storyboard. First write a numbered shot list as a table with these columns: shot, size (wide, medium, close up, insert), camera move, who is in frame, action, seconds. Keep it to six shots. Then generate exactly one storyboard frame per shot, six frames in total, 16:9, on the Nano Banana 2.1 image model, one image per request. Use the same written description of Mara and of the young man in every frame prompt so the frames read as one story: Mara is a woman in her mid twenties with a sleek black chin-length bob, round steel glasses, small silver hoops and a dark green work apron over an oversized black leather jacket; the young man is in his twenties, with dark wavy hair plastered down by the rain, in a soaked charcoal check suit and an open-collared cream shirt. The kiosk is lit by one bare tungsten bulb, warm against the blue rain outside. Photoreal, cinematic, rain, night, no readable text or signs anywhere. Do not make any video. Do not upscale. When the six frames are done, reply with the shot list table and one line per frame saying what it shows.
A new agent chat on a computer with the storyboard request and the script typed into the composer, not yet sent
On a computer. The request and the script in a new chat (1), ready to send (2).
The same new chat on a phone, the script at the end of the message in the composer
On a phone. The same composer.

Tip:Say the model and the count, or the agent chooses. Left to itself the agent picks an image model and a number of frames. Naming Nano Banana 2.1 and six frames is what made the run cheap and made the reply comparable to this page.

Read the shot list it wrote

The reply came back in one turn: the table first, then one line per frame with the image under it. The agent wrote the table as plain lines with no header rule, so the chat shows it as running text. Here it is laid out as a table, word for word.

ShotSizeCamera moveWho is in frameAction
1WideSlow push-inMaraA tiny kiosk under one bare bulb in the rain. Mara cuts a key with steady hands. (4 s)
2MediumStatic, across the counterMara, young manThe soaked young man slides a photograph across the counter. Mara watches him. (4 s)
3InsertStatic, top-downHands of bothA photo of a brass key on the wet counter, no real key. Her hand takes it. (3 s)
4Close upSlow push-inMaraShe studies the photo under the bulb, light on her glasses. (4 s)
5InsertStaticMara's handsShe cuts the key from memory, sparks flying. The photo lies to one side, ignored. (3 s)
6MediumStaticYoung man, MaraHe tries the key in the kiosk's own side door and it opens. Mara waits inside, arms folded, faint smile. (5 s)
The agent's shot list, verbatim; its Seconds column is folded into the action here. Twenty three seconds of picture from a 64 word script.
The agent's reply on a computer: the shot list as running text, then the Frames list starting with frame 1
The reply on a computer. The shot list as the agent wrote it, then one line per frame.
The same reply on a phone
On a phone.

Look at every frame at full size

Each frame is one Nano Banana 2.1 request, and each prompt carried the same two character descriptions. Here are the six, in the agent's order, with what we checked on each.

A tiny wooden key kiosk glowing under one bulb on a dark rainy street, a young woman with a black bob and glasses cutting a key inside.
Frame 1, wide. The kiosk under one bare bulb in the rain, Mara at the machine. Nothing legible.
A soaked young man in a check suit slides a photograph across the counter to the locksmith in her green apron and leather jacket.
Frame 2, medium. He slides the photograph across the counter; Mara watches. The key machine is plain.
Top-down view of a photograph of a brass key on a wet wooden counter, two hands reaching in.
Frame 3, insert. Top down: the photo of a brass key on the wet counter, his check cuff and her leather cuff reaching in.
The locksmith holds the photo up to the bulb to study it, light catching her round glasses.
Frame 4, close up. Mara holds the photo up under the bulb, the light on her glasses. The notes on the wall are blank.
Close-up of her hands guiding a key blank into a spinning wheel, sparks flying, the photo on the bench.
Frame 5, insert. Her hands feed a blank into the wheel, sparks flying, the photo left on the bench. This is the agent's own redo: its first frame 5 showed a woman at the machine who did not look like Mara.
The young man turns the key in the kiosk's side door as warm light spills out; the locksmith waits inside, smiling.
Frame 6, medium. He turns the key in the kiosk's side door; warm light spills out and Mara waits inside, smiling.

Watch for this:The same words do not make the same face. Repeating a character description keeps the hair, the glasses and the apron in every frame. It does not make the model draw the same person, and we have not measured how close the faces are, so we do not claim it. For a character who has to be one person across shots, save a character and attach it; the consistency guide measures what that holds.

The agent checks its own frames

This run needed no follow-up from us. Before it replied, the agent checked all six frames and redid one inside the same turn, then said so at the end of its reply.

The start of the agent's closing paragraph: I checked every frame. None has readable text or extra people, and the hands look right. In my first try at frame 5, the woman at the machine didn't look like Mara, so I remade it with only her hands in shot.
The agent's own check, verbatim. It remade frame 5 with only her hands in shot, so the turn made seven images. The rejected frame stays in your Library until you delete it, and the account's usage history has the actual charge.

If a frame still comes back wrong, reply in the same chat: name the frame and what is wrong, and ask for that one frame again on the same model, with the same character descriptions. The other frames stay as they are.

Which tool for which job

JobWhereWhat it is
Shot list and one frame per shot from a scriptNOLGIA AgentA workflow: the agent writes and then calls the image model
One frame you want to art-direct yourselfImage composerA tool: your prompt, your model, a character and a location attached
A frame that has to show a saved character or placeCharacters, Locations, then the image composerReference images ride with the prompt
Turning a frame into a shotVideo composer, Animate an imageThe frame becomes the first frame of the clip
Keeping the board next to the cutStudio's Library columnFrames sit beside the clips they became

Where you still regenerate

  • Words in the picture. None of our six frames carried lettering this time; the old board had a brand name on its machine. Check every frame at full size anyway.
  • Beats the model reads literally. The insert of the photograph shows a photograph, which is right; an insert of "his fingertips" might have shown the hand. Say what the lens sees.
  • Frames are not sequence-aware. Each frame is its own request. The same description holds the wardrobe and props; it does not hold the face, and we do not claim it does.
  • Long turns cost more. An agent turn that makes six images is a long turn. Ours was charged for the agent's work above its brain's flat rate and for seven images, the redo included, and the account's usage history itemizes both.

What it costs

Two things are charged: the agent turn, at the flat rate plus a usage charge on long turns, and each frame at the image model's rate. The live rate for the model we asked for is below. The agent's redo of frame 5 happened inside the same turn and added one image.

  • Nano Banana 2.1Every plan

    Per image

    1K 4 credits · 2K 5 credits · 4K 9 credits

  • Nano Banana ProEvery plan

    Per image

    Native 8 credits · 2K 21 credits · 4K 58 credits

  • GPT Image 2.5 FlareEvery plan

    Per image

    Native 8 credits · 2K 21 credits · 4K 58 credits

Read live from the catalog when this page loads. Every price is shown before you generate. See every rate.

Checklist

  • Script pasted in full, characters described once in the message, the same words for every frame.
  • Number of shots, image model and frame shape named in the message.
  • "No readable text or signs anywhere" in the message, and every frame checked at full size anyway.
  • The shot list saved as the working document; the frames as its illustration.
  • One frame redone in the same chat, not the whole board.

Try it yourself

Start a new chat with the message above and your own script under it. The reply will be a different table and different frames, because the agent writes them fresh each time; the shape of the reply, a table then one line per frame, is what this recipe produces.

The six frames

  • Frame 1, wideWebP image · 1376x768 · 98 KBDownload
  • Frame 2, mediumWebP image · 1376x768 · 107 KBDownload
  • Frame 3, insertWebP image · 1376x768 · 103 KBDownload
  • Frame 4, close upWebP image · 1376x768 · 75 KBDownload
  • Frame 5, insert (the agent's redo)WebP image · 1376x768 · 76 KBDownload
  • Frame 6, mediumWebP image · 1376x768 · 130 KBDownload
As the agent made them, 16:9, Nano Banana 2.1.

Questions and answers

Is there a storyboard tool on NOLGIA?
No. A storyboard here is the agent writing a shot list and calling an image model once per shot. This guide is that workflow, with a real transcript.
Will the same character look the same in every frame?
The wardrobe and props hold when the same description is repeated in every prompt. The face is not something we have measured, so we do not claim it. Save a character and attach it when one person must carry across shots.
How many frames should I ask for?
Six for a one-scene script like this one, eight for an action beat, four for a dialogue scene. Ask for one frame per row of the shot list.
A frame is wrong. Do I redo the board?
No. Reply in the same chat naming the frame and what is wrong, and ask for that one frame again. On our run the agent caught the one bad frame itself and redid it inside the same turn.
Can the frames become the video?
Yes. Each frame can be the first frame of a shot in the video composer's Animate an image mode. The short film guide does exactly that.
What does a storyboard cost?
One agent turn, priced at the flat rate plus a usage charge when the turn is long, and one image per frame at the model's rate shown in the cost block.

Give the agent your script

Open the Agent

Filmmaking

Make a video from a script, step by step

Split a 60 to 90 word script into shots, generate each one in the video composer with a camera move, record the narration, cut it in Studio and export. Every step run for real.

· 13 min read