MediumClose-upProfileSlow push-inAuto
We pick a varied angle for each cut from what happens in it.
Medium · Close-up · Low angle · Insert · Profile · Slow push-in · Wide
Multicam
Shoot one locked-off take and get the coverage back: every angle you pick as its own full-length clip in sync with your sound, from a low-angle hero and close-ups to a profile B-cam, the over-the-shoulder reverse, inserts and a slow push-in, plus a highlight edit. For music videos, scenes and premium ads.
Highlight editOriginalEvery shot Multicam offers, each shown on one of our own takes. Hover or tap one to see it move.
Packs · one click picks their shots
How close
Where the camera is
How it moves
Ready-made groups of angles, each shown here on the same moment of one take. Pick one and its angles are dealt across your cuts; change any single angle after.
MediumClose-upProfileSlow push-inWe pick a varied angle for each cut from what happens in it.
Medium · Close-up · Low angle · Insert · Profile · Slow push-in · Wide
Low angleExtreme close-upOrbitOverheadA performance at the mic: hero angles, moves and haze.
Low angle · Extreme close-up · Orbit · Wide · Slow push-in · Overhead
WideClose-up AClose-up BInsertA dialogue scene: the master, the two-shot, both close-ups, the reverse and an insert.
Wide · Two-shot · Close-up A · Close-up B · Over the shoulder · Insert
Low angleMacro detailOverheadOrbitA product hero: macro detail, a slow push-in, the insert and the hero angle.
Macro detail · Slow push-in · Orbit · Overhead · Insert · Low angle
ProfileLow angleMacro detailSlow push-inStyling on a set: full length, profile, the details and a slow push-in.
Wide · Profile · Low angle · Macro detail · Slow push-in
Low angleOverheadOrbitHandheld driftA routine: wide, low, overhead and moves that follow it.
Wide · Low angle · Overhead · Orbit · Handheld drift
ProfileClose-upOver the shoulderWideAn A-cam and B-cam setup: medium, profile, close-up, the OTS and the wide.
Medium · Profile · Close-up · Over the shoulder · Wide
Each angle you pick comes back as its own clip of the whole take, in sync with it and carrying its original sound, ready to cut in any editor.
A cut between your angles on the take's own sentences and moves, over the original sound. It is made from your clips, so it costs nothing extra.
Use a take you shot yourself. The price for every angle at full length is on the Generate button before anything runs, and the highlight edit is free.
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