NOLGIA에서 Jean Phil 만들기, 그리고 나만의 AI 인플루언서 만들기

Jean Phil, deadpan French AI influencer. Very tall and thin young man with a long neck, pale ruddy skin with freckles, small pale eyes, a thick glossy honey-blond helmet bob with a blunt straight fringe that flares out at the jaw, a thin ginger handlebar mustache with curled tips. Brown houndstooth wool blazer, white shirt, navy and burgundy striped tie. Never smiles. Shadowboxes everywhere he goes.

@Jean Philanthrope shadowboxes at a pedestrian crossing on a Paris street in bright daylight, completely deadpan: a double jab, a straight right, a left hook, light bouncing footwork. Then he stops, straightens his tie and stares straight into the lens. Haussmann buildings, a cafe awning and people walking past behind him. Phone video, natural daylight, static camera at chest height, framed from the knees up.

Jean Philanthrope shadowboxes on the Trocadero esplanade in Paris with the Eiffel Tower behind him, completely deadpan: a double jab, a straight right, a left hook, light bouncing footwork. Then he stops, smooths his blond bob with one hand and stares into the lens. His look matches @Image1: brown houndstooth suit, white shirt, striped tie, blond bob, curled mustache. Tourists walking past. Phone video, natural daylight, static camera at chest height, framed from the knees up.

Juno, an original AI influencer: a woman in her mid twenties with sleek jet-black hair in a low slicked bun and long blunt bangs, tiny black oval sunglasses pushed down her nose, glossy nude lips, small gold hoop earrings. She wears a red leather trench coat over a black turtleneck and holds a tiny white espresso cup. Chest-up portrait, deadpan and unbothered, looking over her sunglasses into the lens. Shot at dusk with a hard direct on-camera flash, deep blue sky behind her, saturated colour, 35mm film grain, a real photo, no text.

Juno, an original AI influencer. Mid twenties, sleek jet-black hair in a low slicked bun with long blunt bangs, tiny black oval sunglasses worn low on her nose, glossy nude lips, small gold hoop earrings. Red leather trench coat, black turtleneck, white knee-high boots. Always holds a tiny white espresso cup. Deadpan and unbothered: she sips her espresso and slowly lowers her sunglasses while chaos happens behind her.

Juno stands at a desert gas station at night beside a vintage petrol pump, an old car burning behind her, lit by a hard direct on-camera flash. Completely unbothered, she holds the fuel nozzle in one hand and takes one slow sip of her tiny espresso with the other; as the car behind her bursts into a bigger fireball she hangs the nozzle back on the pump without looking, then turns to the lens with a deadpan stare. Her look matches @Image1: red leather trench coat, black turtleneck, white knee-high boots, black bangs, tiny black oval sunglasses. Wide low angle, her whole body from head to white boots in frame, static camera, 35mm film grain, saturated colour.

Juno stands on a rooftop helipad in hard midday sun, a black helicopter touching down right behind her, its rotor wash whipping her red leather trench coat while her slicked bun stays perfect. Completely unbothered, she takes one slow sip of her tiny espresso, then slowly lowers her black oval sunglasses with one finger and holds a deadpan stare into the lens. Her look matches @Image1: red leather trench, black turtleneck, white knee-high boots, black bangs, oval sunglasses. Wide low angle, framed from the knees up, static camera, 35mm film grain, saturated colour, deep blue sky.

Juno stands in a supermarket aisle at night under fluorescent light plus a hard direct on-camera flash, an ostrich standing right beside her among the cereal boxes. Completely unbothered, she offers the ostrich her tiny espresso cup; it dips its beak in and takes a sip; she takes the cup back, pushes her black oval sunglasses up her nose with one finger and stares deadpan into the lens. Her look matches @Image1: red leather trench coat, black turtleneck, white knee-high boots, black bangs, tiny black oval sunglasses. Wide low angle, framed from the knees up, static camera, 35mm film grain, saturated colour.