NOLGIA 上的 Nano Banana 2.1：原生 4K、四張參考圖、精準文字與 8:1

A 4K photograph of a packed Sunday flea market on a narrow Paris street, shot from a high balcony with a long lens: hundreds of shoppers between antique stalls, rugs, gilded mirrors, old cameras, crates of records, striped awnings, cafe tables and a brass band in one corner. Hidden very small in the crowd near the top of the frame, Jean Philanthrope in his brown houndstooth suit shadowboxing completely deadpan in front of a mirror stall, easy to miss. Natural afternoon light, crisp detail everywhere, every face and sign sharp, 35mm film colour. No text overlays.

A flash photo of three friends squeezed into one red vinyl diner booth at night, like a photo booth portrait. @Image1 is Jean Phil: he sits completely deadpan in his brown houndstooth suit, holding a can of RED LINE cherry soda up like a trophy. @Image2 is Juno: in her red leather trench coat and oval sunglasses, she ignores the soda and sips a tiny white espresso. @Image3 is Theo: he laughs with his arms around both of them. The can is exactly the RED LINE can in @Image4, its wordmark sharp. Keep each face exactly like its photo. Hard direct on-camera flash, glossy skin, 35mm film grain, a neon sign glowing behind them. No other text.

A photograph of an old diner's black felt letter board menu hanging on a tiled wall, lit by a hard direct flash, white plastic letters, every word perfectly spelled, exactly these six lines in this order: JUNO'S DINER / ESPRESSO, SIPPED SLOWLY 4 / CREPE, ON FIRE, IGNORED 9 / OSTRICH SPECIAL, ASK INSIDE / SHADOWBOXING LESSONS 12 / NO PANIC SERVED HERE. On the counter below the board, a tiny white espresso cup and a crepe on fire on a plate, nobody reacting. 35mm film grain, saturated colour.

One continuous ultra-wide 8:1 photograph: the longest white stretch limousine in the world fills the whole width of the frame, parked on an empty desert highway at golden hour. At the far left end, Jean Philanthrope sits deadpan behind the wheel in his brown houndstooth suit, shadowboxing through the open driver's window. At the far right end, Juno leans out of the very last sunroof in her red leather trench coat and oval sunglasses, sipping a tiny white espresso. Dozens of identical tinted windows in between, a single tumbleweed rolling past the middle. Hard sun, long shadows, saturated colour, 35mm film grain. No text.

One extremely tall vertical photograph in a 1:8 frame. A human tower of three people balanced on each other's shoulders in a narrow Paris courtyard at dusk, shot from far below with a wide lens and a hard direct on-camera flash. At the very top, Jean Philanthrope stands completely deadpan in his brown houndstooth suit, shadowboxing at the sky. In the middle, Juno in her red leather trench coat and oval sunglasses calmly sips a tiny white espresso, not holding on to anything. At the bottom, Theo in his brown leather blazer grins up at them, holding Juno's boots. Pigeons sit along the window ledges, a laundry line crosses the courtyard, and a concierge watches from a doorway, unbothered. 35mm film grain, saturated colour, deep blue sky. No text.