動画プロンプトの7つのミスと、それぞれの解決策

A man stands in a dim corridor. Cinematic, moody, dramatic lighting, dynamic camera, energetic, emotional, 4k, hyperrealistic, best quality.

A man stands in a dim corridor.

A man of 24, lean, bleached spiky hair, light brown skin, a cream and forest-green wool varsity jacket zipped to the chest over a white ribbed tank, baggy dark indigo jeans, a thin silver chain over the tank, stands in a narrow tiled service corridor with a row of bare tungsten bulbs along the ceiling.

Cinematic, moody, dramatic lighting.

The bare tungsten bulbs along the ceiling are the only light, warm and overhead, pooling on his shoulders and the floor, a faint cool spill of daylight from a door at the far end of the corridor, light haze.

Dynamic camera.

A slow lateral truck to the right on a smooth dolly, the framing level, medium shot, no zoom, no cuts.

Energetic.

He starts looking down, then raises his head and turns a quarter turn toward camera over the first two seconds, plants his feet and holds the look.

(no line about hands)

Both hands hang open at his sides, fingers relaxed and separate; he does not touch the walls.

Emotional.

At the end he tilts his chin up slightly and holds the lens with his eyes.

Wide shot of the corridor, then close up of his face, then his boots, then the bulbs flickering, then a shot from behind him, then back to his face.

One continuous take, real-time, no cuts.

Music video performance, one continuous take, real-time. SUBJECT: a man of 24, lean, bleached spiky hair, light brown skin, a cream and forest-green wool varsity jacket zipped to the chest over a white ribbed tank, baggy dark indigo jeans, a thin silver chain over the tank. He stands in a narrow tiled service corridor with a row of bare tungsten bulbs along the ceiling. ACTION: he starts looking down, then raises his head and turns a quarter turn toward camera over the first two seconds, plants his feet and holds the look; at the end he tilts his chin up slightly. HANDS: both hands hang open at his sides, fingers relaxed and separate; he does not touch the walls. CAMERA: a slow lateral truck to the right on a smooth dolly, the framing level, medium shot, no zoom, no cuts. LIGHTING: the bare tungsten bulbs along the ceiling are the only light, warm and overhead, pooling on his shoulders and the floor, a faint cool spill of daylight from a door at the far end of the corridor, light haze. LOOK: 35mm film grain, halation on the bulbs, deep blacks. No text, no logos, no signage.