描寫光線:描述它的作用,而非設備
在電影拍攝現場,書燈、中國燈和八角柔光箱都是不入鏡的工具。但在提示詞中,模型會把它們畫進畫面裡。以下是實際測試中這些工具變成了什麼,修正問題的措辭,以及可以安全使用的光線描述詞。
- 閱讀時間 10 分鐘
本文由英文自動翻譯。閱讀原文
要獲得你想要的燈光效果,請描述燈光的作用,而不是產生燈光的設備。在電影拍攝現場,書燈或中國燈只是不會入鏡的工具。圖像模型會將這些名稱視為要繪製的物體,並把它們畫出來。
以下每張圖片都是在 NOLGIA 上關閉 Aura 功能後的實際生成結果。大多數使用同一個簡單場景:一名男子在廚房桌前讀信,僅改變燈光描述行。
這樣寫,不要那樣寫
| 不要寫 | 請寫 | 在我們的測試中 |
|---|---|---|
| 使用書燈照明。 | 非常柔和、環繞的光線從鏡頭左側射入;光源位於畫面外。 | 具名:桌上的閱讀燈。實際生成:2 次中有 2 次沒有燈。 |
| 使用中國燈照明。 | 約 2700 K 的柔和暖光從他前方偏鏡頭左側射入;光源位於畫面外。畫面中任何地方都沒有燈具或燈泡。 | 具名:燈泡或紙燈籠。實際生成:2 次中有 2 次沒有燈。 |
| 鏡頭左側一個 1.5 m 八角柔光箱 | 鏡頭左側 45 度角、畫面外的一個大型柔和主光 | 具名:畫面中的八角柔光箱,2 次中有 2 次。實際生成:2 次中有 2 次都沒有。 |
| 鏡頭左側一個黑色 4x4 遮光板作為負補光 | 房間左側(鏡頭左方)很暗,沒有東西反射光線 | 具名:畫面中有一塊黑色面板,2 張中有 2 張。未具名:無,2 張中有 2 張。 |
| 電影感照明 | 單一光源:它的方向、柔和度、顏色,以及它照射在什麼上 | 有方向的光源會產生受光面和陰影面。 |
錯誤 1:提及設備名稱
下方的每張圖片都是相同的提示詞,只是在括號中增加了一句話。這句話提及了某個照明或攝影設備,而模型將它畫了出來。
Unretouched photograph of a 35-year-old man reading a letter at a kitchen table, an ordinary face, a grey sweater, medium shot at eye level. [one sentence] Natural colour, low saturation.





修正 1:描述光線的作用
描述設備會產生的光線效果:光源來自哪裡、光線的大小與柔和度、照射在什麼地方,以及光源在畫面外。沒有其他需要繪製的內容。
Unretouched photograph of a 35-year-old man reading a letter at a kitchen table, an ordinary face, a grey sweater, medium shot at eye level. Lit with a book light. Natural colour, low saturation.Unretouched photograph of a 35-year-old man reading a letter at a kitchen table, an ordinary face, a grey sweater, medium shot at eye level. A very soft, wrapping light comes from camera left; the source is out of frame. It falls across his face and the letter and leaves only a faint, soft-edged shadow on the right side of his face. Natural colour, low saturation.「使用書燈照明。」

光線描述

在攝影棚中也適用同樣的方法。下面的兩個提示詞僅在光線描述這一行有所不同。
Unretouched studio portrait photograph of a 38-year-old carpenter, not a model: an ordinary face with fine lines at the eyes, uneven skin with visible pores, short dark hair with some grey, a little stubble, a faded charcoal work shirt, no jewelry, no makeup. He sits on a wooden stool against a mid-grey seamless backdrop, half-length from the waist up, looking just past the lens. LOOK: mid-grey backdrop #7D7F82 about 55%, charcoal shirt #3A3B3D about 25%, skin about 20%; low saturation, soft contrast, true blacks. CAMERA: a full-frame camera with an 85 mm lens at f/4 from 1.8 m, eye level, vertical frame. LIGHT: one 1.5 m octabox at 5500 K camera left at 45 degrees, a little above eye level, two stops over the shadow side; no other light. FORBIDDEN: teal, coloured light, smoothed or plastic skin, glossy highlights on the face, readable text or logos.Unretouched studio portrait photograph of a 38-year-old carpenter, not a model: an ordinary face with fine lines at the eyes, uneven skin with visible pores, short dark hair with some grey, a little stubble, a faded charcoal work shirt, no jewelry, no makeup. He sits on a wooden stool against a mid-grey seamless backdrop, half-length from the waist up, looking just past the lens. LOOK: mid-grey backdrop #7D7F82 about 55%, charcoal shirt #3A3B3D about 25%, skin about 20%; low saturation, soft contrast, true blacks. CAMERA: a full-frame camera with an 85 mm lens at f/4 from 1.8 m, eye level, vertical frame. LIGHT: one large, soft key at 5500 K from out of frame, camera left at 45 degrees and a little above eye level; it wraps softly round the near side of his face and leaves a soft-edged shadow on the far cheek and a soft shadow on the backdrop behind him to camera right; the lit side two stops over the shadow side; the source is out of frame; no other light. FORBIDDEN: teal, coloured light, smoothed or plastic skin, glossy highlights on the face, readable text or logos.「一個 1.5 公尺的八角柔光箱」

光線描述

錯誤 2:在設備旁加上「畫面外」
當設備仍被命名時,說光線在畫面外並沒有幫助。模型仍會畫出它。請移除名稱,改寫它的作用。
Unretouched photograph from a documentary interview series about people who keep old ferries running. A 52-year-old ferry mechanic, not a model: a broad weathered face, deep lines at the eyes and forehead, uneven sun-darkened skin with visible pores, grey stubble, short grey hair, a little oil on his fingers. He wears a faded navy work jacket over a grey T-shirt, no jewelry, no watch. He sits on a steel stool in his workshop, his head turned a few degrees toward camera right, mid-answer; an ordinary moment, not posed. Behind him, 3 m back: a workbench with tools and a vice, two bench lamps, a limewashed wall. LOOK: weathered walnut #5A3E2B about 35%, warm limewashed wall #CBB89A about 30%, charcoal shadow #2A2724 about 25%, faded navy #2F3B52 about 10%; low saturation, soft contrast, true blacks; skin stays skin coloured. CAMERA: a full-frame documentary camera, a 58 mm lens at T2, medium close-up from mid-chest at seated eye level from 1.6 m, locked off; a little sensor noise in the shadows. LIGHT: a soft key at 5600 K from camera right at 45 degrees, a little above eye level, on the short side of his face (the side turned away from the camera), so the cheek nearer the camera falls into soft shade; the key is 1.5 stops over the shadow side; a black 4x4 solid camera left as negative fill; the two bench lamps in the background at 2700 K, two stops under his face. Every light is off frame: no light stands, softboxes, cables or fixtures visible anywhere in the picture. FORBIDDEN: teal, cyan or green spill, coloured light on the walls, teal and orange, RGB accent lights, smoothed or plastic skin, readable text or logos.Unretouched photograph from a documentary interview series about people who keep old ferries running. A 52-year-old ferry mechanic, not a model: a broad weathered face, deep lines at the eyes and forehead, uneven sun-darkened skin with visible pores, grey stubble, short grey hair, a little oil on his fingers. He wears a faded navy work jacket over a grey T-shirt, no jewelry, no watch. He sits on a steel stool in his workshop, his head turned a few degrees toward camera right, mid-answer; an ordinary moment, not posed. Behind him, 3 m back: a workbench with tools and a vice, two bench lamps, a limewashed wall. LOOK: weathered walnut #5A3E2B about 35%, warm limewashed wall #CBB89A about 30%, charcoal shadow #2A2724 about 25%, faded navy #2F3B52 about 10%; low saturation, soft contrast, true blacks; skin stays skin coloured. CAMERA: a full-frame documentary camera, a 58 mm lens at T2, medium close-up from mid-chest at seated eye level from 1.6 m, locked off; a little sensor noise in the shadows. LIGHT: a soft key at 5600 K from out of frame, camera right at 45 degrees, a little above eye level, on the short side of his face (the side turned away from the camera), so the cheek nearer the camera falls into soft shade; the key is 1.5 stops over the shadow side; the camera-left side of the room is dark and nothing bounces light back, so the shadow side of his face stays deep; the two bench lamps in the background at 2700 K, two stops under his face. FORBIDDEN: teal, cyan or green spill, coloured light on the walls, teal and orange, RGB accent lights, smoothed or plastic skin, readable text or logos.「一個 4x4 黑色遮光板」加上畫面外

光線描述

修正 2:當燈光仍然出現時
中國燈是一個紙製球體,從上方提供柔和、溫暖的光線。我們確實寫了這一點,但在兩次生成結果中,天花板燈都進入了畫面上方:從廚房桌子上方發出的溫暖光線會被解讀為天花板燈。將燈光移到前方,在兩次生成結果中有一次消除了燈光。加上最後一行文字「畫面中任何地方都沒有燈或燈泡」,在兩次生成結果中都消除了燈光。


Unretouched photograph of a 35-year-old man reading a letter at a kitchen table, an ordinary face, a grey sweater, medium shot at eye level. Lit by a China ball. Natural colour, low saturation.Unretouched photograph of a 35-year-old man reading a letter at a kitchen table, an ordinary face, a grey sweater, medium shot at eye level. Soft, warm light at about 2700 K comes from in front of him and a little to camera left, from just above his head height; the source is out of frame. It wraps round his face, his shoulders and the letter with gentle, soft-edged shadows. No lamps or bulbs anywhere in the picture. Natural colour, low saturation.「由中國燈籠照明。」

已描述,且無燈具

提示:一行文字,而非清單. 如果燈具不斷出現,請加上一句簡短的說明:畫面中任何地方都不要有燈具或燈泡。不要列出需要排除的設備清單。清單中的每個名稱,都會讓模型多畫出一個東西。
安全的燈光用語:佈光方式、一天中的時間與場景中的燈具
有些燈光用語是安全的,因為它們描述的是外觀,而不是物體:例如佈光方式、閃光燈類型或一天中的時間。如果你希望看到燈具,也是安全的:請將其寫成場景的一部分。下方的每張圖片都是廚房場景,並在括號中加入一行燈光描述。
Unretouched photograph of a 35-year-old man reading a letter at a kitchen table, an ordinary face, a grey sweater, medium shot at eye level. [light line] Natural colour, low saturation.





提示:寫出名稱與它的作用. 設定名稱不會畫出你不想要的東西,若將光效寫在旁邊,效果會更好,兩張 Rembrandt 圖片就是例子。
光線描述行,作為範本
[Where the light comes from: camera left, camera right, behind, or above the camera], [how big and soft it is: a large soft light, a small hard light], at about [color temperature: 2700 K for a warm household bulb, 5600 K for daylight] or [a time of day]. It [falls on what] and leaves [where the shadow goes]. The source is out of frame.- 你想看到的燈具: 將它寫成場景的一部分。「他旁邊的桌上有一盞開著的小檯燈,燈罩是布製的。」
- 你不想看到的燈具: 在最後加一行。「畫面中任何地方都沒有燈具或燈泡。」
- 設定名稱: 寫出名稱,接著寫出它的效果。「Rembrandt 光效:光線從鏡頭左側高處射入,位於畫面外,在背光側的臉頰上、眼睛下方留下一個小三角形光斑。」
需要花費多少
這裡的每張圖片都是使用預設尺寸生成一次。光線描述行不會額外收費:它是提示詞的一部分。在你花費任何點數之前,Generate 按鈕會顯示價格。
Seedream 5.0 ProEvery plan
Per image
1K 5 點 · 2K 9 點
Nano Banana ProEvery plan
Per image
Native 8 點 · 2K 8 點 · 4K 14 點
頁面載入時從目錄即時讀取。 所有價格都會在生成前顯示。 查看所有費率.
按下 Generate 前的檢查清單
- 提示詞中未提及任何燈光或攝影器材:沒有書燈、China ball、柔光箱、八角柔光箱、遮光板、蛋格或蘋果箱。
- 單一光源:它的方位、大小與柔和度、顏色或時間,以及它照射在什麼地方。
- 用文字說明光源位於畫面外。
- 你想看到的燈具已寫成場景的一部分。
- 如果燈具仍然出現:寫一行說明,畫面中任何地方都不要有燈具或燈泡。
- 可以使用設定名稱。在它旁邊寫出它的作用。
常見問題
- 我可以提及照明設備的名稱嗎?
- 可以,當你想讓它出現在畫面中時:例如幕後花絮、攝影棚,或創作者的環形燈。把它寫成場景的一部分,就像其他物體一樣。
- 為什麼「在畫面外」無法解決問題?
- 模型仍會將設備名稱解讀為需要繪製的內容。在我們的測試中,即使寫了「所有燈光都在畫面外」,具名的黑旗板在 2 次測試中都有 2 次出現在畫面裡。請移除名稱,改寫燈光的作用。
- 這些安全名稱適用於所有模型嗎?
- 在 Seedream 5.0 Pro 上,Butterfly、Rembrandt 和 direct on-camera flash 都沒有繪製多餘的內容,而在我們早期的測試中,direct flash 在 Nano Banana Pro 上也有效。在生成其餘圖片前,請先檢查你使用的模型生成的第一張圖。
- 這適用於影片嗎?
- 我們是在圖片上測試這些詞彙。對於影片,習慣是一樣的:說明光線來自哪裡以及它的作用。我們的指南 Make AI video look real 展示了在兩個影片模型上,透過光源和方向來描述燈光。
- 那 Aura 呢?
- 當你的提示詞描述人物時,Aura 預設為開啟,並會加入真實的皮膚質感與場景中的自然光線。這裡的每張圖片都是在關閉 Aura 的情況下製作的,因此你可以單獨觀察光線描述所產生的效果。如果你自己撰寫光線描述,可以關閉 Aura。
在你的下一個提示詞中撰寫光線描述
開啟「建立圖片」相關指南
提示詞
為什麼輸入 4k 不會讓 AI 圖片更清晰,以及什麼方法有效
輸入 4k、8k 或 hyperrealistic 不會增加像素或細節。我們對同一張人像分別使用和不使用這些詞進行測試,並展示真正讓圖片更清晰的方法。
· 閱讀時間 10 分鐘
提示詞
讓 AI 影片看起來真實:光線、動作與攝影機
三句話就能讓片段看起來像實拍:一個具名的光源、有重量的行走、有人手持的攝影機。我們已在 Kling v3 上進行前後測試。
· 閱讀時間 9 分鐘
提示詞
七個影片提示詞常見錯誤,以及每個錯誤的修正方法
影片提示詞出錯的七種方式,每種都在 Kling v3 上渲染兩次:先是模糊的提示詞,接著是加入一項修正後的同一提示詞。複製這些修正方法,並了解種子值無法做到的事。
· 閱讀時間 12 分鐘




