إنشاء حركة الكاميرا باستخدام Miroge

She should be holding chainsaw in one hand all time, she’s standing on top of the table and the background should be from the cast reference image and not from the video.

Replace the people in @Video1 with @Chainsawwoman. Use @Image1 for what it shows: a person, animal or character takes the place of a person in @Video1, and a place becomes its setting. Keep the motion, the choreography and the timing of @Video1 beat for beat, and keep its framing and its camera. Keep its set and its lighting unless the words above ask for a new place or a picture shows a place on its own, such as a location sheet; the background behind someone in their photo is not a new place. Each person, animal or character keeps their own look from their picture: hair or fur, clothes, colors and markings. Photorealistic. No on-screen text, no watermark, no logos.

SEEDANCE 2.5 - REFERENCE VIDEO CAMERA-MOVEMENT PROMPT

Use the uploaded reference video as the EXACT CAMERA MOVEMENT AND FRAMING REFERENCE.

Replicate the camera movement from the reference video as accurately as possible - including the camera's:

- movement direction
- movement speed
- acceleration and deceleration
- camera height
- camera distance from the subject
- camera angle
- framing
- perspective changes
- camera path
- timing of each movement
- changes in shot scale
- movement rhythm
- motion blur
- natural camera physics

DO NOT invent a new camera movement.

DO NOT reinterpret the camera movement.

DO NOT simplify the movement.

DO NOT replace it with a generic cinematic orbit or zoom.

The uploaded video is the MASTER REFERENCE for how the camera should move.

However, DO NOT copy the person, location, wardrobe or visual content from the reference video.

Instead, use the provided character and scene references.

The subject must be the exact same woman from the provided character reference, standing ON TOP OF THE DINING TABLE and holding the SAME GREEN-AND-BLACK CHAINSAW.

Preserve her exact:
- face
- facial features
- hairstyle
- hair color
- body proportions
- red feather/faux-fur jacket
- red patterned mini dress
- black pointed heels
- chainsaw
- chainsaw size
- chainsaw orientation
- hand placement
- foot placement
- body position

She remains physically standing on the same dining table throughout the entire video.

Use the provided restaurant image as the environment reference.

Preserve the exact:
- restaurant architecture
- dining table
- chairs
- curtains
- chandeliers
- plates
- glassware
- furniture
- warm amber lighting
- shadows
- color palette
- vintage photographic aesthetic

The REFERENCE VIDEO controls ONLY the camera movement.

The CHARACTER REFERENCE controls the character.

The LOCATION REFERENCE controls the environment.

Do not combine or copy the visual identity of the reference video.

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ABSOLUTELY NO CUTS:

Create ONE SINGLE CONTINUOUS SHOT from the first frame to the last frame.

ZERO cuts.

NO hard cuts.
NO jump cuts.
NO hidden cuts.
NO match cuts.
NO invisible edits.
NO shot changes.
NO teleportation.
NO sudden camera-position resets.
NO frame-to-frame composition swaps.

The camera must physically travel continuously through the space exactly as demonstrated in the uploaded reference video.

Every change in framing or angle must happen through continuous physical camera movement.

The reference video's movement should feel like the camera is actually traveling around the woman in one uninterrupted take.

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LOOP REQUIREMENT:

The video must begin with the same framing and camera position as the beginning of the reference movement.

After reproducing the complete camera movement from the reference video, return naturally to the EXACT starting camera position and framing.

The final frame must match the opening frame.

The beginning and ending should have:

- identical camera position
- identical camera height
- identical camera distance
- identical framing
- identical perspective
- identical character scale
- identical background composition

The final frame should seamlessly connect back to the first frame.

NO fade-out.
NO fade-in.
NO black frame.
NO transition.
NO cut.

The result should feel like an infinite camera loop.

REFERENCE VIDEO MOVEMENT → COMPLETE MOVEMENT → RETURN TO STARTING FRAME → LOOP.

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IMPORTANT:

Do not make the woman walk, turn, rotate, transform or change her pose to accommodate the camera.

The CAMERA moves around the woman.

The woman remains the same physical person in the same physical scene.

Maintain perfect character consistency throughout the entire shot.

No face morphing.
No identity drift.
No wardrobe changes.
No body-shape changes.
No chainsaw changes.
No environmental changes.
No lighting changes.

Photorealistic, physically believable camera movement, realistic parallax, natural motion blur, consistent perspective, consistent lighting and seamless continuous movement.

PRIORITY ORDER:

1. EXACT CAMERA MOVEMENT FROM THE UPLOADED REFERENCE VIDEO
2. ZERO CUTS - ONE CONTINUOUS SHOT
3. EXACT CHARACTER CONSISTENCY
4. EXACT LOCATION CONSISTENCY
5. SEAMLESS LOOP FROM FINAL FRAME BACK TO FIRST FRAME

Create ONE continuous, seamless looping cinematic camera shot using the provided character-in-location reference and the provided 10-angle camera sheet.

IMPORTANT CAMERA PATH:
The video MUST begin on ANGLE 01 and MUST end on the EXACT SAME ANGLE 01.

The first frame and final frame must match as closely as technically possible:
- identical camera position
- identical camera height
- identical camera distance
- identical focal length / perspective
- identical framing
- identical character scale in frame
- identical character pose
- identical background composition
- identical lighting
- identical chainsaw position
- identical facial expression

The final frame should seamlessly connect back to the first frame so the video can loop continuously without the viewer noticing where it restarts.

CAMERA PATH:

START - ANGLE 01:
Begin with the exact extreme close-up face shot from Angle 01.
Straight-on camera, very close to the woman's face.
This is the exact starting composition.

Then move rapidly and smoothly through the camera angles in this sequence:

01 → 02 → 03 → 04 → 05 → 06 → 07 → 08 → 09 → 10 → 01

ANGLE 02:
Pull rapidly backward from the extreme close-up into the front close portrait.

ANGLE 03:
Continue the physical camera movement backward and lower the camera toward a low front medium perspective.

ANGLE 04:
Rapidly reposition the camera upward into the high front angle.

ANGLE 05:
Quickly sweep the camera toward the high 3/4 right position.

ANGLE 06:
Continue with a fast lateral camera sweep to the opposite high 3/4 left position.

ANGLE 07:
Drop the camera rapidly toward the low 3/4 position, looking upward.

ANGLE 08:
Quickly move sideways around the subject until reaching the true 90-degree side-profile camera position.

ANGLE 09:
Pull rapidly away into the distant wide front shot, revealing the entire woman, table and restaurant.

ANGLE 10:
Move quickly into the low hero 3/4 angle.

FINAL MOVEMENT - RETURN TO ANGLE 01:
After Angle 10, make a fast, controlled camera movement back toward the original Angle 01 position.

The camera must physically return to the EXACT starting position and framing.

The final frame must recreate Angle 01 precisely.

Do NOT end on a similar close-up.
Do NOT end on a different facial crop.
Do NOT end with a different focal length.
Do NOT simply zoom into the face digitally.

The camera must physically travel back to the original Angle 01 position.

CONTINUITY:

The woman is ONE stationary physical subject throughout the entire shot.

Preserve the EXACT same:
- face
- facial proportions
- hairstyle
- hair texture
- body proportions
- wardrobe
- shoes
- accessories
- chainsaw
- chainsaw orientation
- hand positions
- feet positions
- body pose
- restaurant
- table
- chairs
- curtains
- chandeliers
- plates and glassware
- lighting
- shadows
- color palette
- photographic aesthetic

The character does NOT rotate or change pose to accommodate the camera.

The camera moves around her.

Her eyes and head may naturally track the camera when appropriate, but her physical body remains locked.

CAMERA MOTION:

Make every transition feel like a REAL physical camera moving rapidly through the restaurant.

Use:
- fast acceleration
- fast camera repositioning
- natural deceleration
- realistic motion blur
- strong foreground/background parallax
- believable depth
- realistic perspective changes

Do NOT create a slow cinematic orbit.

Do NOT create a slow digital zoom.

Do NOT use cuts.

Do NOT teleport between angles.

Do NOT morph from one composition into another.

Every angle transition should feel like the camera physically traveling through the space.

LOOP REQUIREMENT:

The final 10-15 frames should progressively settle into the exact same composition as the opening frames.

The final frame must match the opening frame.

The opening and ending composition should be visually indistinguishable when the video loops.

No fade-out.
No fade-in.
No black frame.
No transition effect.
No camera reset.

The video should be capable of playing repeatedly as:

ANGLE 01 → 02 → 03 → 04 → 05 → 06 → 07 → 08 → 09 → 10 → ANGLE 01 → 02 → 03...

The viewer should perceive this as one continuous infinite camera movement.

Photorealistic cinematic continuity, realistic human proportions, consistent identity, consistent wardrobe, consistent environment, realistic camera physics, natural motion blur, strong parallax, warm vintage restaurant lighting and subtle 35mm photographic texture.